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      <image:title>NEWS - Art Talk with George Eastman House</image:title>
      <image:caption>Southworth &amp; Hawes, Unidentify Man and Woman, ca. 1850, Whole plate daguerrotype. George Eastman House, Gift of Alden Scott Boyer.</image:caption>
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    <loc>http://www.robertapiantavigna.com/blog/2014/8/5/the-photographic-information-record-finally-in-italian</loc>
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      <image:title>NEWS - The Photographic Information Record finally in Italian!</image:title>
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    <loc>http://www.robertapiantavigna.com/blog/2014/7/30/daguerreotype-europes-earliest-photographic-records</loc>
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      <image:title>NEWS - Daguerreotype. Europe’s Earliest Photographic Records</image:title>
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    <loc>http://www.robertapiantavigna.com/the-family-of-man</loc>
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    <lastmod>2016-03-08</lastmod>
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      <image:title>The Family of Man - Condition Reports</image:title>
      <image:caption>In one week we filled more than 600 condition reports with indepth assesment on the works conditions.</image:caption>
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      <image:title>The Family of Man - Condition Reports</image:title>
      <image:caption>In one week we filled more than 600 condition reports with indepth assesment on the works conditions.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457237598693-URJB8T16HE54D0PBLGEO/CF013097.jpg</image:loc>
      <image:title>The Family of Man - Surface Cleaning</image:title>
      <image:caption>Surface cleaning, recto and verso, was carried before packing with brushes, cloths and vacuum cleaner Museum © images CNA/Roman Girtgen</image:caption>
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    <image:image>
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      <image:title>The Family of Man</image:title>
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      <image:title>The Family of Man - Surface Cleaning Test</image:title>
      <image:caption>Surface cleaning test with aceton. © images CNA/Roman Girtgen</image:caption>
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      <image:title>The Family of Man</image:title>
      <image:caption>Small works were packed with Tyvek® and stored Safebox® boxes. These custom boxes were provided by EsLogisitica srl for the storing of small and medium format panels. In this way this solution simplified their transportation and facilitated their storage. A detailed database with Filemaker Pro was built to permit quick research of panel by author, box or image. Safeboxes® proved to be an effective solution to keep our work organized and safe. © images CNA/Roman Girtgen</image:caption>
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      <image:title>The Family of Man - Inpainting</image:title>
      <image:caption>Inpainting with Winsor&amp;Newton watercolor over a barrier layer of methylcellulose © images CNA/Roman Girtgen</image:caption>
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      <image:title>The Family of Man - Conservation Treatment. Inpainting</image:title>
      <image:caption>Major inpainting treatments were conducted mostly on large format works. Romain Girtgen © CNA</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457237712249-EV8Q93CBZ8RQ9HBC9XV3/IMG_2920.JPG</image:loc>
      <image:title>The Family of Man - During Treatment. Inpainting</image:title>
      <image:caption>A thin layer of barium sulfate and methylcellulose was applied to compensate the surface loss.</image:caption>
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    <image:image>
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      <image:title>The Family of Man - After Treatment. Inpainting</image:title>
      <image:caption>The surface damage is less visible in specular light but always notable at angled light.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457237618199-1UHJK6IN1QG8MI8HQH89/CF010725.jpg</image:loc>
      <image:title>The Family of Man - Final treatment</image:title>
      <image:caption>After three years, in May 2013, the collection finally returned to its galleries, now completely renovated. Final inpainting were carried before the opening with correct lighting. Romain Girtgen © CNA.</image:caption>
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    <loc>http://www.robertapiantavigna.com/venice-biennal</loc>
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    <lastmod>2016-03-06</lastmod>
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      <image:title>Archive of Negatives Venice Biennal</image:title>
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      <image:title>Archive of Negatives Venice Biennal</image:title>
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      <image:title>Archive of Negatives Venice Biennal</image:title>
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      <image:title>Archive of Negatives Venice Biennal</image:title>
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      <image:title>Archive of Negatives Venice Biennal</image:title>
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      <image:title>Archive of Negatives Venice Biennal</image:title>
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    <loc>http://www.robertapiantavigna.com/peter-beard</loc>
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    <lastmod>2016-03-08</lastmod>
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      <image:title>Peter Beard</image:title>
      <image:caption>© images Studio Berselli</image:caption>
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      <image:title>Peter Beard</image:title>
      <image:caption>© images Studio Berselli</image:caption>
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      <image:title>Peter Beard</image:title>
      <image:caption>© images Studio Berselli</image:caption>
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      <image:title>Peter Beard</image:title>
      <image:caption>© images Studio Berselli</image:caption>
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    <loc>http://www.robertapiantavigna.com/anonymous-1</loc>
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    <lastmod>2016-03-08</lastmod>
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      <image:title>Anonymous</image:title>
      <image:caption>© images The Better Image</image:caption>
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      <image:title>Anonymous</image:title>
      <image:caption>© images The Better Image</image:caption>
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      <image:title>Anonymous</image:title>
      <image:caption>© images The Better Image</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457243392537-CVTFE065RVNI1R2MKUVP/Schermata+2016-03-05+alle+23.25.26.png</image:loc>
      <image:title>Anonymous</image:title>
      <image:caption>© images The Better Image</image:caption>
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      <image:title>Anonymous</image:title>
      <image:caption>© images The Better Image</image:caption>
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    <loc>http://www.robertapiantavigna.com/richard-avedon-1</loc>
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    <lastmod>2016-03-06</lastmod>
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      <image:title>Richard Avedon</image:title>
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      <image:title>Richard Avedon</image:title>
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      <image:title>Richard Avedon</image:title>
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      <image:title>Richard Avedon</image:title>
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      <image:title>Richard Avedon</image:title>
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    <loc>http://www.robertapiantavigna.com/anselm-kiefer-1</loc>
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    <lastmod>2016-03-06</lastmod>
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      <image:title>Anselm Kiefer</image:title>
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      <image:title>Anselm Kiefer</image:title>
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      <image:title>Anselm Kiefer</image:title>
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      <image:title>Anselm Kiefer</image:title>
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    <loc>http://www.robertapiantavigna.com/bernd-and-hilla-becher</loc>
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    <lastmod>2016-03-08</lastmod>
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      <image:title>Bernard and Hilla Becher</image:title>
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      <image:title>Bernard and Hilla Becher</image:title>
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      <image:title>Bernard and Hilla Becher</image:title>
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      <image:title>Bernard and Hilla Becher</image:title>
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    <image:image>
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      <image:title>Bernard and Hilla Becher</image:title>
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    <image:image>
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      <image:title>Bernard and Hilla Becher</image:title>
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  <url>
    <loc>http://www.robertapiantavigna.com/new-gallery</loc>
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    <lastmod>2016-03-08</lastmod>
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      <image:title>Dara Birnbaum - Dara Birnbaum, PM Magazine 1982</image:title>
      <image:caption>Dara Birnbaum, PM Magazine,1982, four-channel video, chromogenic prints - Monitoring during exhibition; surface cleaning and dusting before deinstallation. / © images MoMA  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457249705001-Z0IRIGX4FZVWYC1619MC/Cons_Birnbaum_203_2014_a_d_INS_AL_BT.jpg</image:loc>
      <image:title>Dara Birnbaum - Dara Birnbaum, PM Magazine 1982</image:title>
      <image:caption>Dara Birnbaum, PM Magazine,1982, four-channel video, chromogenic prints - Monitoring during exhibition; surface cleaning and dusting before deinstallation. / © images MoMA  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457249702163-4MKNVEA3BUF43ATHGCVG/Cons_Birnbaum_203_2014_a_d_INS_AL_BT_DET1.jpg</image:loc>
      <image:title>Dara Birnbaum - Dara Birnbaum, PM Magazine 1982</image:title>
      <image:caption>Surface cleaning of the recto was carried out in three steps. First the most superficial dust was blown up away with air blower; then a soft brush was used to gently brush away the dust. As final step, a microfiber cloth was used to remove the finest particles of dust still present on the surface. © images MoMA</image:caption>
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    <image:image>
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      <image:title>Dara Birnbaum - Dara Birnbaum, PM Magazine 1982</image:title>
      <image:caption>Detail of the surface before treatment. /  © images MoMA</image:caption>
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    <image:image>
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      <image:title>Dara Birnbaum - Dara Birnbaum, PM Magazine 1982</image:title>
      <image:caption>Detail of the surface during treatment. / © images MoMA</image:caption>
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  </url>
  <url>
    <loc>http://www.robertapiantavigna.com/portrait</loc>
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    <lastmod>2016-03-07</lastmod>
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      <image:title>Portrait</image:title>
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    <image:image>
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      <image:title>Portrait</image:title>
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  </url>
  <url>
    <loc>http://www.robertapiantavigna.com/rc-paper</loc>
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    <lastmod>2016-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457401664391-5NFBEFR92SO5ZHPE6Q1G/Contact_angle_013_006_cropped.jpg</image:loc>
      <image:title>RC paper - Contac Angle of RC paper "Kodak Polycontrast Rapid"</image:title>
      <image:caption>Water drop on a RC paper verso. The higher is the contact angle, the lower is the polarity of the surface. RC papers are coated with polyethylene, a non-polar material, which is to say that has very poor affinity to adhesives. © images MoMA</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457401664391-5NFBEFR92SO5ZHPE6Q1G/Contact_angle_013_006_cropped.jpg</image:loc>
      <image:title>RC paper - Contac Angle of RC paper "Kodak Polycontrast Rapid"</image:title>
      <image:caption>Water drop on a RC paper verso. The higher is the contact angle, the lower is the polarity of the surface. RC papers are coated with polyethylene, a non-polar material, which is to say that has very poor affinity to adhesives. © images MoMA</image:caption>
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    <image:image>
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      <image:title>RC paper - Hinging Tests</image:title>
      <image:caption>A selection of 36 samples are currently tested as flat and V hinges and subjected to shear (top row) and peel (bottom row) strengths. © images MoMA</image:caption>
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    <image:image>
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      <image:title>RC paper - Collaboration with Science Conservation</image:title>
      <image:caption>Observing the samples with Chris Mc Glichey, conservation scientist and key figure of this project. © images MoMA</image:caption>
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    <image:image>
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      <image:title>RC paper - The Samples</image:title>
      <image:caption>Samples will be hung on the wall for nine months. The weight (20gr), and the hinge have been designed and calculated in proportion to real hinge's dimension. © images MoMA</image:caption>
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  <url>
    <loc>http://www.robertapiantavigna.com/portraiture-wells</loc>
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      <image:title>Portraiture</image:title>
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      <image:title>Portraiture</image:title>
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      <image:title>Portraiture</image:title>
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      <image:title>Portraiture</image:title>
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    <image:image>
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      <image:title>Portraiture</image:title>
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      <image:title>Portraiture</image:title>
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    <lastmod>2025-05-09</lastmod>
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  <url>
    <loc>http://www.robertapiantavigna.com/blog-wells/2016/3/7/interest-lsggs</loc>
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    <lastmod>2016-03-07</lastmod>
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      <image:title>Blog - Interest</image:title>
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  <url>
    <loc>http://www.robertapiantavigna.com/blog-wells/2016/3/4/heritage-tnsye</loc>
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    <lastmod>2016-03-07</lastmod>
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  <url>
    <loc>http://www.robertapiantavigna.com/blog-wells/2016/3/7/gratitude-z44a6</loc>
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    <lastmod>2016-03-07</lastmod>
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      <image:title>Blog - Gratitude</image:title>
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      <image:title>Blog - Gratitude</image:title>
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    <loc>http://www.robertapiantavigna.com/blog-wells/2016/3/4/passant-9nfn8</loc>
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    <lastmod>2016-03-07</lastmod>
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  <url>
    <loc>http://www.robertapiantavigna.com/blog-wells/2016/3/4/oeuvre-d4xdl</loc>
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    <lastmod>2016-03-07</lastmod>
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  <url>
    <loc>http://www.robertapiantavigna.com/human-nature-wells</loc>
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    <lastmod>2025-05-09</lastmod>
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      <image:title>Human/Nature - Sable</image:title>
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      <image:title>Human/Nature</image:title>
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      <image:title>Human/Nature</image:title>
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      <image:title>Human/Nature</image:title>
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      <image:title>Human/Nature</image:title>
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    <image:image>
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      <image:title>Human/Nature</image:title>
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    <image:image>
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      <image:title>Human/Nature</image:title>
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    <image:image>
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      <image:title>Human/Nature</image:title>
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  </url>
  <url>
    <loc>http://www.robertapiantavigna.com/info</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2024-11-08</lastmod>
  </url>
  <url>
    <loc>http://www.robertapiantavigna.com/projects-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-11-22</lastmod>
  </url>
  <url>
    <loc>http://www.robertapiantavigna.com/the-family-of-man-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-03-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457331618223-75GOXBW759FMOM0WV7LC/IMG_1075.JPG</image:loc>
      <image:title>The Family of Man - Condition Reports</image:title>
      <image:caption>In one week we filled more than 600 condition reports with indepth assesment on the works conditions.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457237598693-URJB8T16HE54D0PBLGEO/CF013097.jpg</image:loc>
      <image:title>The Family of Man - Surface Cleaning</image:title>
      <image:caption>Surface cleaning, recto and verso, was carried before packing with brushes, cloths and vacuum cleaner Museum © images CNA/Roman Girtgen</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457240419926-RAZV3EO3TG60LTN1QXAH/Schermata+2016-03-05+alle+23.17.51.png</image:loc>
      <image:title>The Family of Man</image:title>
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      <image:title>The Family of Man - Surface Cleaning Test</image:title>
      <image:caption>Surface cleaning test with aceton. © images CNA/Roman Girtgen</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53d9153be4b0d2e829bcbeb9/1457331638968-SLVH8S13NACP59HXCH7W/FOM_entre+salles+termine%CC%81s%2Baccrochage.jpg</image:loc>
      <image:title>The Family of Man</image:title>
      <image:caption>Small works were packed with Tyvek® and stored Safebox® boxes. These custom boxes were provided by EsLogisitica srl for the storing of small and medium format panels. In this way this solution simplified their transportation and facilitated their storage. A detailed database with Filemaker Pro was built to permit quick research of panel by author, box or image. Safeboxes® proved to be an effective solution to keep our work organized and safe. © images CNA/Roman Girtgen</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Family of Man - Inpainting</image:title>
      <image:caption>Inpainting with Winsor&amp;Newton watercolor over a barrier layer of methylcellulose © images CNA/Roman Girtgen</image:caption>
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    <image:image>
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      <image:title>The Family of Man - Conservation Treatment. Inpainting</image:title>
      <image:caption>Major inpainting treatments were conducted mostly on large format works. Romain Girtgen © CNA</image:caption>
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      <image:title>The Family of Man - During Treatment. Inpainting</image:title>
      <image:caption>A thin layer of barium sulfate and methylcellulose was applied to compensate the surface loss.</image:caption>
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    <image:image>
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      <image:title>The Family of Man - After Treatment. Inpainting</image:title>
      <image:caption>The surface damage is less visible in specular light but always notable at angled light.</image:caption>
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    <image:image>
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      <image:title>The Family of Man - Final treatment</image:title>
      <image:caption>After three years, in May 2013, the collection finally returned to its galleries, now completely renovated. Final inpainting were carried before the opening with correct lighting. Romain Girtgen © CNA.</image:caption>
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      <image:caption>© images Studio Berselli</image:caption>
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      <image:caption>© images The Better Image</image:caption>
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      <image:caption>© images The Better Image</image:caption>
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      <image:caption>© images The Better Image</image:caption>
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      <image:caption>© images The Better Image</image:caption>
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